Constructed from screen, modeling paste, repurposed paper, fragments of old journal pages, and acrylic paint, Fault Lines of Memory explores the fragile architecture of personal history. The fractured surface resembles a shifting topography—part skin, part landscape—where handwritten remnants emerge and disappear beneath layered geometric forms. The sculpture suggests the way memory is reconstructed over time: fragmented, obscured, and continually reshaped by experience. Through tension between softness and structure, concealment and revelation, the work becomes both artifact and emotional terrain.